Engravers Bodoni (1933), designed in 1926.Ultra Bodoni Condensed + extra condensed (1933).Bodoni series, first American revival of the faces of Giambattista Bodoni.Lightline Gothic (1908), essentially a News Gothic ultra light.Clearface series, designed with the help of his father, Linn Boyd Benton.Engravers Old English (1906), based upon Caslon Text and designed in association with "Cowan" or perhaps Joseph W.Cushing Antique (1905), design suggested by J.S.Typo Upright (1905), originally Tiffany Upright.Lower-case letters are identical with Phinney's earlier Flemish Black (1902). It is an adaptation of Priory Text, an 1870s version of William Caslon’s Caslon Text of 1734.
Phinney, but many authorities give full credit to Benton. Cloister Black (1904), a blackletter design not connected to Benton's Cloister roman font.Re-issued as Whittin Black and Whittin Black Condensed (1960).The “house face” of Ladies’ Home Journal from 1903, offered for general use in 1905. Bulfinch Oldstyle (1903), commissioned by the Curtis Publishing Company and prepared by Benton for production from original designs by William Martin Johnson.Cheltenham Medium Condensed + Cheltenham Medium Expanded (1913).Cheltenham Bold Shaded + Cheltenham Bold Italic Shaded + Cheltenham Extra Bold Shaded (1912).Cheltenham Medium Italic + Cheltenham Extra Bold (1910).Cheltenham Oldstyle Condensed + Cheltenham Medium (1909).Cheltenham Inline + Cheltenham Inline Extra Condensed'.Cheltenham Bold Extra Condensed + Cheltenham Bold Extended (1906).Cheltenham Bold Italic + Cheltenham Bold Condensed Italic + Cheltenham Wide + Cheltenham Bold Outline (1905).Cheltenham series, based on the original Cheltenham designed by Bertram Goodhue.Franklin Gothic Condensed Shaded (1912).Franklin Gothic Condensed + Extra Condensed (1906).Franklin Gothic series, the patriarch of American sans-serif faces, named for Benjamin Franklin, America’s greatest printer.Engravers Bold (1902, also cast by Barnhart Brothers & Spindler).Typo Script + extended (1902), originally ‘‘Tiffany Script’’.Card Mercantile (1901), a redesign of the two smallest sizes of an 1890s Dickinson Type Foundry design that ATF had acquired when the companies merged in 1896.Globe Gothic Bold (1907), credited to Benton, though Frederic Goudy claims Phinney commissioned him to do it.Globe Gothic Condensed + Extra Condensed + Extended (c.Taylor for the exclusive use of the Boston Globe. 1900), a refinement of Taylor Gothic, designed by ATF vice-president Joseph W. Century Schoolbook (1918), commissioned by textbook publishers Ginn & Company for maximum legibility.Century Oldstyle + italic + bold (1909).Century series, based on the original Century Roman cut by Linn Boyd Benton.1898), inspired by lettering in the Saturday Evening Post and often credited to Lewis Buddy, though (according to ATF) designed “partly” by Benton. In case of error in setting, the lettering can be removed by eraser or adhesive tape.All of Benton's typefaces were cut by American Type Founders.
★Transfers should adhere to all surfaces - the letters will never peel off once applied. ★ Place your materials on a hard surface and use a burnisher to rub your chosen letters to any smooth surface : - paper / board / plastics / metal / glass / acetate / linen and silk. ★ OVERSEAS CUSTOMERS PLEASE CHOOSE THE 'TRACKING' OPTION IF YOU WANT TO TRACE YOUR ITEM, THANK YOU! FOR WHOLE SHEETS CHOOSE 'WHOLE SHEET DELIVERY' delivery upgrade. ★ Sheets are cut in half to post as a large letter (to fit through your letterbox). If not stated, contact me for sizes in mm. Contact me for a photo of the option if not shown.Ĭhoose your font size from the drop down menu and check the corresponding sheet number from the top right corner of the photo. Some sheets are either CAPITALS, lowercase, or both for the smaller sizes. Put the finishing touches to your project with these black rub on letter transfers.